Non-Expressionism: The Gift of Steve McQueen

I started going to the movies in the seventies and Steve McQueen was one of the first stars I got to know in current releases. When I saw his last film in the theatre, The Hunter, on opening weekend no less, so excited was I to see it, I felt I knew him well. I didn’t. Even though I loved movies like The Blob, The Great Escape, Bullitt, Papillon and, yes, The Hunter, mediocre as it may be, I didn’t fully understand Steve McQueen as an actor. I liked him and his movies but never felt he was doing the job I thought others were doing when it came to big screen acting. I certainly didn’t think he was bad, I just never gave him much thought as an actor overall. But then, very recently in fact, I watched The Towering Inferno for the first time since childhood. It was a revelation.

The Deer Hunter Revisited

I watched The Deer Hunter again recently for the first time in over 25 years. My memory of the film was shaky but I did have a strong recollection of not much caring for it the first two times around (having seen it twice in its entirety by the mid-eighties). I also recalled the controversy surrounding it and wondered if the recollection of any of that might be peppering my memory. I decided to give it another look, 25 years later, to see what it would feel like, decades removed from any controversy over the content of the film or the war in Vietnam itself. The experience was an interesting one, if not least of all for the fact that it has much to admire within its frames and much to deride. Suffice it to say, The Deer Hunter makes for a very conflicted viewing experience, giving the viewer plenty of time to process information about its characters but giving up precious few secrets about them on which to base that processing.

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